From the chanson française to the canzone d’autore in the 1960s and 1970s. Authenticity, Authority, Influence
- Submitting institution
-
The University of Hull
- Unit of assessment
- 33 - Music, Drama, Dance, Performing Arts, Film and Screen Studies
- Output identifier
- 1397115
- Type
- A - Authored book
- DOI
-
-
- Publisher
- Routledge
- ISBN
- 978-1409441731
- Open access status
- -
- Month of publication
- December
- Year of publication
- 2015
- URL
-
-
- Supplementary information
-
-
- Request cross-referral to
- 26 - Modern Languages and Linguistics
- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
- -
- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- No
- Number of additional authors
-
0
- Research group(s)
-
-
- Proposed double-weighted
- Yes
- Double-weighted statement
- This monograph is based on extensive research undertaken over several years. The volume takes a multidisciplinary approach, combining textual analysis with cultural history and popular musicology. The volume represents a sustained research effort by attempting to address the comparative lack of attention given to these forms in the literature and providing a detailed historical account of their role in French and Italian culture during the 1960s and 70s.
- Reserve for an output with double weighting
- No
- Additional information
- -
- Author contribution statement
- -
- Non-English
- No
- English abstract
- -
