Die materielle Kultur der Seeschlacht von Lepanto (1571) : Materialität, Medialität und die historische Produktion eines Ereignisses
- Submitting institution
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The University of Manchester
- Unit of assessment
- 28 - History
- Output identifier
- 82127887
- Type
- A - Authored book
- DOI
-
-
- Publisher
- Ergon Verlag
- ISBN
- 9783956502644
- Open access status
- -
- Month of publication
- January
- Year of publication
- 2018
- URL
-
-
- Supplementary information
-
-
- Request cross-referral to
- -
- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
- -
- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- No
- Number of additional authors
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0
- Research group(s)
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A - SALC
- Proposed double-weighted
- Yes
- Double-weighted statement
- This 2-volume, 1000-page monograph studies the significance of material culture for the sixteenth-century production of history. Objects taken during the Battle of Lepanto, such as Ottoman flags, textiles, and manuscripts, were crucial means for crafting narratives and establishing a material presence of this sixteenth-century event. They served a variety of protagonists to claim interpretative authority when interpreting the battle and crafting narrative surrounding Lepanto, the event. By challenging the perception of a particular battle in a new methodological approach (histoire de l’événement), the book contributes to a broader debate on the status of events in history.
- Reserve for an output with double weighting
- No
- Additional information
- -
- Author contribution statement
- -
- Non-English
- Yes
- English abstract
- Building on a novel methodological approach to the history of events, this two-volume monograph studies the significance of material culture for the sixteenth-century production of history. Objects taken during the Battle of Lepanto, e.g. Ottoman flags, textiles, and manuscripts, were crucial for establishing a material presence of this event. They served a variety of protagonists to claim authority when interpreting the battle and crafting narratives surrounding Lepanto, the event. By challenging the perception of a particular battle with a new methodological approach (histoire de l’événement), Hanß contributes to broader debates on the status of events in history. <br/>
