Jacques Rancière and the politics of art cinema
- Submitting institution
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University of Sussex
- Unit of assessment
- 34 - Communication, Cultural and Media Studies, Library and Information Management
- Output identifier
- 490679_96393
- Type
- A - Authored book
- DOI
-
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- Publisher
- Edinburgh University Press
- ISBN
- 9781474423786
- Open access status
- -
- Month of publication
- June
- Year of publication
- 2018
- URL
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- Supplementary information
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- Request cross-referral to
- -
- Output has been delayed by COVID-19
- No
- COVID-19 affected output statement
- -
- Forensic science
- No
- Criminology
- No
- Interdisciplinary
- No
- Number of additional authors
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0
- Research group(s)
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-
- Proposed double-weighted
- Yes
- Double-weighted statement
- The research and writing of Jacques Rancière and the Politics of Art Cinema (Edinburgh University Press) took six years. It is a sustained engagement with the large oeuvre of Rancière’s writing on cinema, politics, history and philosophy. Rather than applying Rancière’s ideas to the field of art cinema it establishes a symbiotic ‘testing’ of art cinema and Rancière’s thought, through close attention to five international auteurs (John Akomfrah/UK; Nuri Bilge Ceylan/Turkey; Pablo Larraín/Chile; Charlie Kaufman/USA; and José Padilha/Brazil) within a cinematic corpus of over seventy films. The resultant book is 70,000 words in length.
- Reserve for an output with double weighting
- No
- Additional information
- -
- Author contribution statement
- -
- Non-English
- No
- English abstract
- -
